A Notting Hill flat with a surprisingly airy interior by Natasha Quick

The interior designer Natasha Quick, who became something of a name as Philamena on Instagram, has created a calm, serene hideaway for her creative clients in the middle of the west London bustle

Although the flat occupies a Victorian building, a lot of original features had been stripped out. ‘It was all a bit 1990s,’ says the designer, who cut her teeth working for Joanna Plant and had previously worked under the name Philamena before rebranding her studio this year. ‘We wanted to reinstate what we could.’ As such a Jamb fireplace was added to anchor the sitting room – a not insignificant task that was carried out with great skill by the builder Ben Lappin from T.L Lappin, who managed and orchestrated all of the building work. ‘They really are the best builders that I’ve ever worked with and always had a solution,’ recalls Natasha. Full height panelling was added in the ground-floor hallway, turning what Natasha describes as a ‘boring blank box’ into something that aligns much better with the rest of the space. Panelling was also chosen to bring an extra layer to the dining area – its a subtle design, but it helps ground this corner, along with a bespoke banquette Natasha had built in. Metal bannisters were replaced with wooden ones, adding softness and texture.

Panelling was added above the bespoke banquette in the dining area, which is upholstered in ‘Arezzo Linen Velvet’ in duck egg by Paolo Moschino. The table is by Barney Lee, over which hangs an antique pendant. The dining chairs are from Maison Drucker, while the wall lights are Howe London, ‘Papyrus’ shades from Robert Kime.

Sarah Griggs

The desire to create a peaceful and calm London hideaway was the driving force when it came to the decoration. The neat U-shaped kitchen, for instance, feels like it would be just at home in the countryside, with units painted in Edward Bulmer’s ‘Lute’ and blinds made from a heavenly floral fabric, ‘Les Groseilles ’ by Dècor Barbares. ‘The owners love yellow and wanted this room to be really charming,’ explains Natasha. She has certainly delivered. In the sitting room, walls in ‘Stone White 40%’ by Edward Bulmer provide a serene backdrop to an array of furniture, much of which the clients already owned and Natasha had reupholstered to pick up the colours of the existing Soane curtains and art work, including a Robert Kime sofa in Lee Jofa’s ‘Entoto Stripe’ and an armchair in a dark green corduroy from Rose Uniacke. Upstairs, the main bedroom is a masterclass in elegance, with walls in Farrow & Ball’s ‘White Tie’ and a pretty curtain hanging behind the headboard – both of which were made from a bespoke colourway of Namay Samay’s ‘Kadva’ by curtain maker Emma Stewart. ‘We wanted it to feel serene and grown up,’ explains Natasha.

In the sitting area, a sofa from Robert Kime, which the owners already had, was upholstered in Lee Jofa's 'Entoto Stripe'. The palette for this room was partly inspired by the painting by Sahara Longe and the ‘Scrolling Fern’ Soane curtains, which the clients already owned. The little side table is Howe's ‘Bombay Button Table’.

Sarah Griggs

Equally, she also knew where to amp up the decorative flourishes, as the pretty childrens bathroom proves. Here a bath – just squeezed in – is flanked by pretty fabric shower curtains and framed by a wall of tiles that are hand-painted by Hattie Eavis with a sweet floral motif. Just as charming is one of the children’s bedrooms, which has been wrapped in Robert Kime’s ‘Grille’ and features a built-in bed, along with oodles of storage. And really that’s what this flat is all about – balancing the practical and the pretty to create a space that truly works for the owners. ‘The idea was that it would be a chic and classic space that my clients would be able to grow into and build on,’ explains Natasha. I think we can all agree she has delivered on all of that and more.

Natasha Quick: natashaquick.com