An elegant Cotswold house cleverly refreshed by Flora Soames

After inheriting an 18th-century-style house designed by Quinlan Terry Architects in the Seventies, the owner called in her cousin Flora Soames, who has refreshed the interiors using floral fabrics and touches of rich colour to give them a more relaxed feel

The work was completed just as Flora was about to launch her first collection of fabrics, and Clemmie embraced the opportunity to dress the windows in her ‘Enid’s Garland’ linen. Its distinctive cobalt blue and coral tones are picked up in the sofa and chairs, and in the Italian-made blue lacquer fridge, completing a room that is all about dogs on sofas and children lounging on chairs. In the former industrial kitchen, now the boot room, the ceiling was opened up and simple beams added. The starting point for the decoration was the tropical-print Pierre Frey wallpaper, which is complemented by Sinclair Till linoleum floor tiles arranged in a striking irregular pattern. Flora relinquished the antique yellow bench from her own collection as its hue was ‘just so’. She consciously used a light hand to refresh the rest of the ground floor. The walls of the grand entrance hall were painted in a pale colour and the columns marbleised in homage to the house’s origins. A patterned runner on the stairs leads to a glorious painting of a greyhound, which Clemmie bought at a Sotheby’s auction when she was in her twenties – it has accompanied her on every house move since.

Pierre Frey’s ‘Le Chant de Tidore’ wallpaper and panelling in a custom green paint set off the yellow bench in the boot room.

Paul Massey

Clemmie is a huge fan of colour, so she agreed happily to Flora’s suggestion that the walls of the narrow dining room be lacquered in a beautiful saffron by decorative painter Hughie Turner, which draws the eye to this room beyond as you walk into the entrance hall. The drawing room was similarly reinvigorated, with walls painted in pale blue, an unusual Sultanabad rug laid on the floor, paintings rehung and chairs reupholstered in a glazed chintz.

Antique glazed chintz was used on the armchair and cushions by Flora as a nod to the room’s original scheme, devised in the Seventies by Sibyl Colefax & John Fowler. Walls in Farrow & Ball’s ‘Light Blue’ introduce a more youthful feel.

Paul Massey

As it quickly became apparent that the move suited everyone, Clemmie turned her attention to the main bedroom. The neutral wallcovering serves as a backdrop for curtains in Flora’s ‘Dahlias’ linen, which, according to Flora, ‘does the talking’. A patchwork quilt Flora found at a sale completes this very personal room, though, as she says, ‘With four dogs and children often on the bed, it’s anyone’s guess as to how long it will last.’ To complete the scheme, she found a brass bed and half-tester to match the 18th-century style of the house. In the en-suite bathroom, which looks out onto the park, Flora updated the existing woodwork and added her ‘Enid’s Ramble’ wallpaper to give it a comfortable, welcoming feel.

An existing armchair in red cut velvet is complemented by a cushion in Waterhouse Wallhangings’ ‘Bellagio Flame Stitch’. The original bookcases have been repainted in ‘Off-White’ by Farrow & Ball.

Paul Massey

By cleverly refreshing much of what was already there, Flora has given the house a new spring in its step, providing a brighter mood and creating a wonderful home for the family for years to come.

Flora Soames: florasoames.com